I have written about the difficulties of conflicting advice for writers on a number of occasions, but one thing that always crops up everywhere is that you cannot write unless you read. You have to do this all the time, widely and critically, fiction and nonfiction, books, papers, magazines and even blogs.
But why?
There are a lot of reasons, some of which are pretty obvious. Reading other people’s stuff gives you inspiration, tools to help you distinguish good writing from bad, a wider vocabulary and information on genres, tropes, and what not to do.
However, there are arguably some cons to reading. For instance, the amount of time you need to invest – last year I found it really hard to get the time to read on top of writing and working, because when I start reading a book I find it really difficult to stop. A running joke between me and my sister is “I’ll just finish this chapter,” which actually means “I’ll be there in three or four hours when I’ve finished the book and you’ve forgotten what it was you wanted to tell me”. I couldn’t afford that luxury last year, but did it stop me writing? Hell no.
There’s a relatively famous quote attributed to Stephen King that “if you don’t have the time to read, you don’t have the time to write.” But I think that’s kind of an unqualified statement, partly because I found that if you’re writing a book every month and working full time it doesn’t stop you from coming up with ideas and characters and words; and partly because of voice.
When I interviewed YA author Gemma Malley last week, I asked her what she’d been reading lately. She said she hadn’t been reading much because she has been finishing the second book in the Killables trilogy, and “I can’t read when I’m writing otherwise it’s too easy to adopt other people’s styles.”
This is something that doesn’t seem to get discussed much, but I know exactly what she means. One of the first short stories I proof read for my other half was presented along with the words “Yeah, you can tell I’ve been reading a lot of Neil Gaiman lately.” And I’m not sure that I would have wanted to add footnotes into book five if I hadn’t seen John Connolly do it in kid’s books The Gates and Hell’s Bells. But then maybe he just pinched it from Terry Pratchett…
My point is, it’s already hard to know if you’re the first person to do something, or whether an idea is truly original, or even your own. After all, I thought 12 Books in 12 Months was pretty original before I found three other people thousands of miles away from me and apart from one another who’d had the exact same idea.
The more you read, the more other people’s ideas soak into your brain, informing your thoughts and views and use of language, perhaps putting you at risk of accidental plagiarism – or at the very least accusations of being derivative. If you read a book that really captures your imagination, which inspires you to sit and write your own almost before you’re finished, you might have every intention of doing something radically different – but you aren’t necessarily in full control. These things slip out without you realising, you won’t think ‘oh, that sentence is only good because it’s really similar to one in that book I just read’, you’ll think ‘wow, I am in the zone!’ – a feeling that will last only until the people of GoodReads take you down by pointing out your amazing dialogue was already published by someone else.
It isn’t all bad, though. Human beings have been having ideas and writing them down for hundreds of years, nobody is saying you have to be 100% original. Frankly that’s impossible, and it isn’t necessarily a bad thing to wear your influences on your sleeve. If anything, it’ll help people market and share your stuff if they can say “if you like James Hogg and Barbara Cartland, you will love this.”
In summary, then, writers should read widely and deeply, but critically too. You should be aware of your influences, and if you find them coming through very obviously in your own work, maybe factor that in to your schedule and read something totally different – or not at all – when writing. Or perhaps just feature them in your acknowledgements…
March 19, 2012 at 5:00 pm
When I’m working on a novel draft, I find I have to read something in a totally different style to mine or I end up imitating! Even so, it can be hard. I often go for short stories, non-fiction or just something completely different (e.g. I’m reading Ulysses at the moment whih frankly is unlikely to be similar to my style in any way). But I agree with Stephen King up to a point, if you don’t find SOME time to read (even if it’s not a lot) then maybe you don’t love books enough to put up with the ups and downs of writing one!
March 19, 2012 at 6:14 pm
I read a lot of short stories and flash last year by way of genre research – I do agree that you should read lots! It’s just that this imitation issue is something I’ve not heard many people talking about, and it really resonated with me! Reading very opposite genres to what you’re doing when you are writing seems like a good way of coping with it, though 🙂
March 20, 2012 at 9:21 pm
Hey girl! I just wanted to let you know that I nominated you for a Versatile Blogger Award. I’ve been following along with your blog for a few months now and really enjoy it! =)
Here’s the link to read more: http://12monthscreativity.wordpress.com/2012/03/14/15-creative-clever-inspiring-blogs/
Keep up the creativity!
March 20, 2012 at 11:43 pm
Thank you Sarah, that’s really nice of you – and it’s great to hear you’ve been enjoying the blog! I will do a post about this soon… Also I hope the felting is going well!
March 21, 2012 at 9:23 am
What about your drawing and painting? Do you need to immerse yourself in other people’s art in order to be an artist? Or do you find yourself subconsciously copying other people’s styles?
March 21, 2012 at 10:48 am
With art I don’t think it’s even subconscious – when you’re learning a technique, you need to copy other people a bit. Doing a technically accurate drawing is not a natural instinct; it takes years of practice to do it well – and it helps to look at other people’s technically amazing drawings to see how they did it. (But to be honest, no matter how a drawing or painting looks in my head, when I get it onto the page or screen it never looks how I imagine it will – there’s always an element of my cartoony style in there. This is probably due to lack of practice – if I did an MA and spent 4 years drawing and painting I’d probably get round it.)
I think it’s the same with writing, or filmmaking, or dance – you probably do need to immerse yourself in other people’s stuff to start off with and that helps you develop the tools you need to do your own thing. But you then need to go a step further and add your own interpretations, experience, thoughts and so on. And you need to practice extensively – it takes years (or 10,000 hours) to develop your own distinctive voice in any discipline.
In summary, yes, I think you do need to immerse yourself in other people’s stuff to be an artist – but that’s very much your starting point, after which you need to go in other directions and put your own spin on things.
March 21, 2012 at 3:03 pm
Another writer who finds herself writing in someone else’s voice here… http://www.scottishbooktrust.com/blog/rewrite/2011/03/r-a-martens-please-be-less-fabulous-george-saunders
March 24, 2012 at 9:00 pm
Interesting read as this is something that I’ve found! I’m a massive Terry Pratchett and Douglas Adams fan, and my writing style is probably heavily influenced by them – in terms of the wit and dryness – I’m pretty sure the storyline is all out of my head! Hence, I can’t read them as I write, I read high fantasy instead! And likewise, when I’m writing sensible stuff I read the silly stuff! I think its fine to know where your influences are from, but if you write and read them at the same time you’re probably going to accidentally cross over! If you fancy a short read you can put down, I’m blogging my book “In That Other Dimension” at the moment, and there’s only 50 pages so far so you can’t get lost for hours and hours!!! ENjoyed your blog, thanks 🙂
March 24, 2012 at 9:26 pm
Sounds like a good way of getting round it 🙂 Thanks for stopping by Matty, will check your page out!