A week late but nonetheless available for you to enjoy, here are my July Reads.
This post, entitled An Intense Young Man At An Open Mic Night, could just as easily be called The One Where My Husband Writes A Book. Or the more passive aggressive One Where My Husband Has A Book Out Before I Do And Is Now Dead To Me. Or maybe The One Where My Husband Has A Book Out Next Week But It’s Only Poetry So Pfft. Continue reading “An Intense Young Man At An Open Mic Night”
There is a lot of spoken word to be had in Edinburgh. The city has open mic nights, slams, revues, experimental shows and all manner of opportunities for page and performance poets and storytellers. A firm favourite over the past six years has been Blind Poetics, but last week they bid the spoken word scene farewell. Continue reading “Goodbye, Blind Poetics”
In Edinburgh it is festival time.
Well, actually, it’s almost always festival time here. We can’t move for the things. We’ve got an art one, a film one, an international one, a fringe one, a book one, a jazz one, a magic one, a science one, a Mela one, and a Hogmanay one. But August is when we have the International, Fringe, Book and Mela festivals all at once, so I’m going to go ahead and refer to this month in particular as ‘festival time’.
In case you missed the simple pleasure that was the #derangedpoetess hashtag kicking about on Twitter, I shall briefly summarise. Last week, a journalist called Oliver Thring wrote what can be read as a pretty sexist piece for the Sunday Times about poet Sarah Howe, winner of the T.S.Eliot prize. Some fellow female poets then tweeted to suggest the language he used was somewhat crass (this overview by Katy Evans-Bush details that line of thinking). Thring responded by saying he was being harangued by ‘deranged poetesses’. Continue reading “How To Be A Deranged Poetess”