There is a lot of spoken word to be had in Edinburgh. The city has open mic nights, slams, revues, experimental shows and all manner of opportunities for page and performance poets and storytellers. A firm favourite over the past six years has been Blind Poetics, but last week they bid the spoken word scene farewell. Continue reading “Goodbye, Blind Poetics”
In Edinburgh it is festival time.
Well, actually, it’s almost always festival time here. We can’t move for the things. We’ve got an art one, a film one, an international one, a fringe one, a book one, a jazz one, a magic one, a science one, a Mela one, and a Hogmanay one. But August is when we have the International, Fringe, Book and Mela festivals all at once, so I’m going to go ahead and refer to this month in particular as ‘festival time’.
Ross McCleary and Andrew Blair are becoming fairly familiar faces on the Edinburgh spoken word circuit. Between them they’ve been published in Gutter, Valve, Dactyl and The Grind; they’ve headlined Blind Poetics and Inky Fingers, and appeared at Story Shop and Illicit Ink. They are also the driving force behind the increasingly popular Poets Against Humanity, and the main reason I have any knowledge or understanding of poetry outwith Dorothy Parker, Edward Lear and John Hegley. Continue reading “Is This Poetry? – A completely unbiased review*”
It’s August in Edinburgh, and that means Festival time. So far I have – perhaps not surprisingly – mostly been to storytelling and poetry events. Here are a couple of listicles – although not with gifs in the way that Buzzfeed would do it, I don’t want to get too populist – of what I’ve seen and what i have yet to see. Just in case my opinions are likely to sway you. Continue reading “I Wish To Go To The Festival”
Those of us who live in Edinburgh (i.e. me) are two weeks into the Edinburgh Fringe, a rather massive arts festival that annually bankrupts countless comedians, actors and spoken word artists. Continue reading “Five free literary events for the fringe”