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12 Books in 12 Months

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andystanton

End of Books: The Return

“I’ve got an idea for your blog,” Bob said mysteriously at the office tea point one morning, “but I won’t tell you about it now, I’ll speak to you later.”

Then he vanished into the mist like he’d never been there at all.  Being as how I’m not much of a pre-10am person this was a little befuddling.  Why was our office so misty, and on a sunny day?  Still, an hour or two of putting together resource packs sorted me right out.  By the time he reappeared to expound on his idea, I was alert as a tack.

Continue reading “End of Books: The Return”

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Andy Stanton Interview

Andy Stanton is probably best known as the author of the Mr Gum series of books (technically aimed at 7-10 year olds, but I started reading them at 24), and the mastermind behind hit TV show Bag of Sticks.  If you haven’t read anything by him and you’re not sure whether you’d like to, my rule of thumb is to suggest you head to your nearest book shop or library, pick up a copy of You’re a Bad Man, Mr Gum!, and turn to chapter 4.  If it doesn’t make you laugh, there’s probably something wrong with you. 

I interviewed the man himself on Monday afternoon after a hectic weekend at the Edinburgh Book Festival.  Here’s what he had to say.

Andy Stanton Masters Kung Fu © abraham_love (www.abrahamlove.com)
 
 

Sci-Fi Suggestions

I have to go back to work tomorrow, after a full 12 days off.  That’s 12 whole days where I have not written a word of any of my 12 books. How apt.

There may come a time (I’m guessing Sunday) that I feel guilty as hell for such negligence, but right now I’m confident it was The Right Thing To Do – for my sanity and for the sake of the project. Plus:

LOOK HOW MANY BOOKS I READ IN THAT TIME!!

Admittedly four are aimed at young children, which I am not, and are very short.  Also I actually started One Good Turn quite some time ago, so technically only read half of it during the 12 day period… but the thought of having had the time to read six books makes me happy.

Now I must get back into the habit of writing them.

You may remember that the fast approaching month of August is dedicated to sci-fi, for which I have a concept that is actually rather dark, but potentially a bit good.  As ever I have yet to name any of the characters, and if you have any suggestions for classics of the genre I should have a look at please leave a comment (either containing a title or cliff notes on the text) below.

Life Changing Reads

Roll up, roll up… it’s time for another question courtesy of The Rogue Verbumancer, aka @Glempy.

Is there one book or writer who has influenced your style more than any other? For me it was Gormenghast. A book which after reading utterly transformed the way I wanted to write, burning away years of childish whimsy and leaving me with a decidedly darker and wordier style. Has a book ever had a similar effect on you or has your style evolved independently?

There are definitely a couple of writers who have influenced earlier short stories I’ve written, the main ones being Spike Milligan and Roald Dahl…  The Milligan influence comes in where I’ve created characters with ridiculous names like Ivan Itch, and with Dahl there’s the kind of Tales of the Unexpected sadness that creeps in sometimes alongside the silliness.  That’s a style I am trying to return to with my children’s books.  More recently I’ve fallen in love with the style of Andy Stanton, author of the Mr Gum books – his stories genuinely make me laugh out loud – so I suspect there will be elements of his silliness influencing me too.

Having said that, writing this much in such a short length of time has meant I haven’t had a lot of time to read over the past few months, so I think that my voice has probably evolved relatively independently in 2011.  There are tons of authors who I’ve read and come away thinking yes, that was amazing and profound, I want to do something like that – but it never quite turns out that way.  I would love to write like Margaret Atwood, for example, but I just don’t have the themes or deal with ideas in the same way as she does.  I’m incorrigibly frivolous.

I also think that much more than being influenced by other people’s stuff, the thing that has impacted on my writing during 12 books in 12 months is personal experience.  By that I don’t mean that I’ve solved a murder or fought a dragon, I just mean that random pieces of conversations I have overheard, or interesting looking people I’ve seen when I’m out and about, have turned up unexpectedly.  And the books for grown ups are all really Scottish, which was never my intention, but I guess that’s happened because that’s where I’ve always lived.

Still, this might all change when I’ve had the opportunity to research my genres more thoroughly.  Ask me again when I’ve read Gormenghast!

I Have Questions

Further to Monday’s shout out for guest bloggers, for the rest of this week I am answering the queries of Andrew Blair, an Edinburgh-based writer of comedy and other things.  You can see some of his work on this website, or follow him on Twitter @aagb1884.

Tuesday 26/4/11, 08:00

Ali,

I have been reading your blog sporadically. I have questions.

Number 1. You are writing in 12 different genres. This is not a question. What genres of books do you predominantly read and have you enjoyed the experience in researching others? That is a question.

Andrew

Tuesday 25/4/11, 13:01

Andrew,

I don’t really have a favourite genre, although I lean towards books with a sense of humour and quite like things with a fantastical element.  I also like a lot of YA and kids books, and Scottish fiction.

To give some examples: some of the best and funniest books I’ve ever read are the Mr Gum series by Andy Stanton, which I’d recommend to anyone (even though they’re really aimed at 8 year olds).  Meanwhile in fantastical terms, I go from the very dense prose of Isabel Allende to Neil Gaiman‘s Sandman graphic novels with a bit of future dystopia from Aldous Huxley or Margaret Atwood along the way.

In terms of YA, I’ve recently enjoyed stuff by Holly Black and Gemma Malley, as well as The Gates by John Connolly who started out writing adult crime novels.  You can read the first chapter on his website, and I think it’s awesome.

Great kids books I’ve read lately include The Girl Who Could Fly by Victoria Forrester and The Secret Benedict Society by Trenton Lee Stewart.  I’d also recommend Steve Augarde‘s ‘Touchstone Trilogy’ which is suitable for 11+.  Good Scottish novels include The Ossians by Doug Johnstone and The Incredible Adam Spark by Alan Bissett, and anything by Muriel Spark…  Essentially I like to think I’ll give anything a go, and as such my ‘to-read’ list is very, very long.

In terms of research for 12 books, so far I have probably enjoyed the romance month the most because the genre is often unintentionally very funny.  It’s quite rare to find a romance book that is genuinely romantic, I think partly because a lot of authors tend to get caught up in sex scenes – one of the reasons why I decided to go for unrequited love, actually – and these are notoriously difficult to write well.

Ali

To Plan Or Not To Plan?

Further to yesterday’s shout out for guest bloggers, Captain Fantastic writes:

Ali,

I read on the blog that you are shamelessly trying to spin out more books than Sir Terry of Pratchett. For someone that’s spent many a year dreaming of writing an epic fantasy novel, yet produced less than diddly squat, I’m wondering how you get going with the process each time you start a new book.

I’ve read lots of different guides on how to get started writing, but everything I read says to start by planning the plot, or the characters. I’ve tried both and failed – horribly. The planning really bores me – like reading the Silmarillion – it’s dry and dusty and it takes forever. I really want to just spew out the random jumble of words in my head and weave them into a story as I go, but everything I read says ‘no! bad dog! Start by planning, plot, characters, themes, snore, snore, snore, ya-de-ya – have a biscuit’. I probably shouldn’t look for guidance in dog books…

I was wondering then, how do you plan your writing. Do you do anything to keep the planning side of things interesting or do you just leap right in and start writing? How do you make the actual writing process itself fun so that it’s not a chore to sit down and churn out 2000 words in a day? Any thoughts?

Fantastic Regards

The Captain

Tuesday 25/4/11

Dear Captain,

The only book I have really planned thus far was the one I wrote for NaNoWriMo last year.  And even then, the ‘planning’ consisted predominantly of  reading a few books in my chosen genre, then choosing 30 cliffhangers and assigning them to different chapters.  I knew what the two main characters were called before I began, but I added everyone else in as I went along and got to know them as I wrote them.

Book One of this project, Caligula’s Blog, was planned in the sense that I read some history books and had a rough time line of Caligula’s life, and I tried to write according to that – but exact details are a bit woolly when your get that far back so it wasn’t done with military precision.

I tend to take the view that if you are bored with what you’re doing – especially at that early stage – the reader will be too.  When I planned out that first book, I couldn’t wait to start writing it, and doing so was much easier than the ill-considered NaNo attempt of 2009.

Kids author Andy Stanton makes chapter planning interesting... Or silly, at any rate. http://ow.ly/user/AndyStantonTM

With 12 Books, part of me tends to feel like there’s no time for planning (other than thinking about it in my head a bit!), so I’ve been inclined to jump in and start on the first of the month – either at a point I am looking forward to doing, or a cursory opening scene just to get something out there.  So far none of the openings I’ve written have stayed at the start for long, but they help me to get into the new story.

I think there’s a danger that if you plan too much you’ll overthink it, which is why the overarching theme of this project is to get something on paper and worry about continuity and plot holes later.  Once you have that first 50k in front of you, it’s got to be easier to plan the next 50k than if you’re still stuck faffing about with outlines.  And you may well see that themes and things have started to appear of their own accord, merely needing you to hone them a bit.

Having said all that, I do think having an outline can help you keep on track, as there are one or two problems with jumping straight in.  Frinstance:

– You occasionally find you’ve written the same thing more than once.

– Sometimes you can get quite far in and then change your mind about something, or find it tails off unexpectedly, so you end up having to lose chunks of what you’ve written.  But honestly I think that would happen with any first draft, because by the time you’ve done 50k+, left it a couple of months, and come back to it with fresh eyes, you’re going to have come up with new ideas, better ways of putting things, and so on.

– Jumping right in can mean you can lose sight of what you wanted to do.  With book 3, I thought I had a very clear idea in my head, but I hadn’t written it down in any detail. Immersed in the tale, I got to around 20k, but then unexpectedly got stuck.  I ended up breaking my ‘no editing’ rule and going back to read over it properly and change the chapters around.  That helped me to decide on a direction, and I didn’t need to lose any of it – but I can’t guarantee that result every time, and on that occasion fell very short of the arbitrary word count goal!

As a general rule with 12 books I decided to write and write until I get to 50k – even if I know some of it is nonsense.  After all it’s a first draft which is going to be severely edited – first by me and then by long suffering friends who’ll be asked to read it over before sending it to an agent who’d presumably make further suggestions before sending it to a publisher.  There’s just no need to get bogged down in detailed planning at this stage, because when you get going you’ll almost certainly change your mind about at least a couple of things.

In answer to your last point, this means keeping things fun isn’t that hard at this stage.  The process of coming up with first drafts is arguably one of the funnest, most creative parts of writing a novel.  It’s the point where you can try things out, and it’s a bit of a challenge getting to that 2000 words a day which is enjoyable as long as you don’t let it become a stress or something YOU MUST DO at the cost of all else.  The editing process, on the other hand, is far more laborious – that’s where writing becomes a job, and it’s how I reckon authors really earn their keep!

Hope this answers your question, and best of luck with the fantasy epic!

Ali

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