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Open Mic Opportunity in Edinburgh

Doctor Who Open Mic Night Edinburgh 2013Are you a poet or penner of short fiction?  Have any of your poems or prose ever included aliens, time travel, jelly babies, or copious amounts of running?  Then have I got the Open Mic Night for you!

Organised by my good friend Andrew Blair and the chaps behind Blind Poetics*, the truthfully titled ‘The Doctor Who Open Mic Night’ is coming to Edinburgh pub The Blind Poet on November 25th.  Join performers Kevin Cadwallender, Tracey S. Rosenberg and Russell Jones as they celebrate the Fiftieth Anniversary of Doctor Who through spoken word.  And as you do it, you can help raise money for The Lullaby Trust, an amazing charity that supports bereaved families.

Open mic slots are available if you want to perform – email drwhoopenmic@hotmail.com for further info – but the organisers would like to make it clear that you don’t have to perform 100% Doctor material:  ‘anything even tangentially related, be it sci-fi, time travel, weeping angels, things-being-bigger-on-the-inside or Jon Pertwee, is totally cool.’

Meanwhile, if you just want to go and have a listen, that’s likely what I’m going to do.  Unless I spend the next week finally committing that Ode to Brigadier Lethbridge-Stewart I’ve been composing to paper… But I fear I’ve said too much.  Anyway entry is free, although as discussed there is the option to donate to the Lullaby Trust (they are suggesting a very reasonable £2).

If you fancy coming along or know someone else whose cup of tea it is, please help spread the word – join the Facebook event, share this blog post, and generally make a lot of noise.  Like Kevin Cadwallender might do:

Hope to see you there!

When: Monday 25th November, 7.30pm
Where: The Blind Poet, 32 West Nicholson Street, Edinburgh

*Those chaps are Roddy Shippin and Alec Beattie, and you can keep up with Blind Poetics, a monthly night of spoken word, on Facebook and Twitter.

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Are You Sitting Comfortably?

A couple of people have suggested lately that one way to get more words done is to record myself telling the story rather than taking ages typing it all up.

Whilst doing the whole thing that way would undoubtedly end up as a rather mad sounding stream of consciousness for about 90% of the time, I think there’s a lot to be said for doing some audio excerpts. It means that interested parties can have a listen, and it’s helpful to me to read out what I’ve written because hearing it back will help me decide what works and what doesn’t. I also recently read an article by A L Kennedy pointing out that if you want to find your writing voice, you should probably try speaking in it.

So, here is a wee excerpt about Ingmar, a troll who looks out for our vampire heroine from afar. I think the introduction to his character works quite well in the third person, although at some point his internal thoughts are going to be put out there. But I’m not sure I’ll be able to do it in a Swedish accent without sounding like an awful caricature. At the moment I am leaning to having a different character’s voice or perspective in every chapter, to make it easier for the reader to engage with individual characters.

Incidentally I did four takes of that, so the notion that it’s quicker than typing is somewhat misleading!

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