This post, entitled An Intense Young Man At An Open Mic Night, could just as easily be called The One Where My Husband Writes A Book. Or the more passive aggressive One Where My Husband Has A Book Out Before I Do And Is Now Dead To Me. Or maybe The One Where My Husband Has A Book Out Next Week But It’s Only Poetry So Pfft. Continue reading “An Intense Young Man At An Open Mic Night”
Meanwhile, the writer was determined to get to a reasonably high word count irrespective of what that meant for the quality of the story. She typed like the wind, except for the long gaps in which she was checking her phone, or making cups of tea, or yawning.
Sometimes she would go off on a tangent about how she was looking forward to having crumpets for tea when she ought to have been describing Amelia’s hat collection (which was vast, expensive and unexpected; not least because Amelia never wore hats, not even at weddings or funerals).
And when she ought to have been making subtle hints about the whereabouts of Chris’ mother, she was actually looking up forums about digital photography in the hope someone would be able to enlighten her on the best way to take a self portrait to go with one of several articles she was writing on the side.
Today being the 27th of the month, I am remarkably close to the half way point of the whole 12 books in 12 months fiasco (unless you count book 13, I suppose, but let’s not get ahead of ourselves).
Unfortunately this happens to be the point where progress has slowed down an embarrassing amount. I ought to be basically done with book six by now, yet I’ve only written about 10,000 words. Almost all of which is background and characterisation that I foresee myself editing down to maybe a few paragraphs in the final book. It’s the type of stuff that it makes sense to know as an author, but probably feels a bit long winded and boring to the reader. Pottermore, rather than the material a gripping plot is crafted from.

