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12 Books in 12 Months

writing books and blogging about it

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characterisation

Inspiration

A second email from Elaine of Dreams and Whispers fame.

Next I would like to find out a bit more about your inspiration for the twelve books – did you already have ideas before you started, or are you taking it book by book and seeing what develops for each one? As you write, do you find that most of your theme/plot/character ideas are coming from things you encounter in life, people you meet, your imagination, or somewhere else?

I had a few ideas before starting, many of which are laid out on the ‘Get Involved‘ page and in the Facebook photo album.  I went into it with the hope that members of the public would challenge me by giving me different suggestions to incorporate as I went along, giving the project a more interactive feel but also forcing me to plan things so that I’d include all their ideas.

As it happens, I think a lot of people find it intimidating to have me say ‘just suggest anything at all’.  For instance with book 2, where I got suggestions from staff at The Byre Theatre in St Andrews, basically everything I got was anecdotal stuff about working in a theatre.  Nobody seemed interested in motive, murder weapon, or red herrings, and I ended up going on Twitter when I’d already started writing to ask people to suggest names for characters I’d just invented.  This meant that the book developed much more out of my own brain than I think I expected.

At the other extreme, with the Western story I got a very in depth story suggestion from someone, but I ended up not using it because it would have required an awful lot of historical research on my part – the suggester obviously knew quite a bit of the history of the west and had some very specific ideas, which frankly I felt a bit dodgy about using!  So hopefully he will write it himself one day!  It helped me though, because when I read it I realised that a traditional story like that was the exact opposite of what I wanted to do, and came up with what I think was quite a strong idea to work from.

For paranormal romance I think the only suggestion I got was a name and occupation for the central character.  I used the name, Jennifer, but changed the occupation very slightly.  I hadn’t planned for it to be paranormal to begin with, and was hoping to do quite a bittersweet story.  I changed my mind to challenge myself – I’ve never quite got the appeal of paranormal romance and have slagged it off a bit, so I thought why not put my money where my mouth is and see if I can do any better.  With all that dithering, though, it probably wouldn’t have made a difference if people had suggested things or not – I had a definite, but at the same time very woolly, plan!

This month is fantasy, and I’ve had a couple of pretty good suggestions for that – clearly it’s a genre that readers of this blog can relate to!  But even then they’re basically character suggestions, so it’ll be me that thinks of the plot, dialogue, narrative and so on.  That sounds like a complaint – it isn’t!  I love making things up – this would be a very strange project to be doing if I didn’t.

I am definitely taking it book by book.  I have to, really.  So far there hasn’t been time to plan any further ahead than that, and in most cases I’ve not even written an outline till I’ve got about 20k in.

None of my characters are directly based on anyone real, but there are elements of dialogue and characterisation which do draw a lot from encounters I’ve had or exchanges I’ve heard in real life.  The first line of my first book, for instance, was, “Nah mate, that’s lies!” because it was something I heard every single day from the kids that came in to my place of work.  For some reason most of my settings have been Scotland so far as well, although that was quite unintentional.

Having said that, I don’t think there’s a huge amount of point in ‘writing what I know’ verbatim.  I recently read an interview with Susan Hill in Mslexia Magazine where she pointed out that the whole point of reading fiction was to escape from the mundanity of every day life, so of course you should write everything from the imagination.  Who really cares about a character who is trying to make it as a freelance journalist whilst also writing fiction and occasionally arguing with her boyfriend about whose go it is to do the dishes?!  But occasionally real stuff bleeds through – hopefully funny, insightful or interesting things, though!

Thought Process

Yesterday morning I was mostly taping up resource packs to send to schools (FYI – avoid ‘tesa’ brown tape if possible, it splits if you so much as look at it), and considering the best way to progress with book 4.

Something is bothering me. If I am to write Jennifer as an engaging, even normal-ish teen (who happens to be a vampire), she’s going to need a bezzie.

I’ve set her up with a love triangle, as is the way of things, but between all the unrequited love and the being an orphan and other vampires trying to persuade her to start drinking human blood over animal, there’s too much angst and not enough silliness.

Even the most solitary people I knew at school tended to have at least one friend. Social outcasts band together just as popular types do. And whilst Matthias is a friend to Jennifer, he is also blatantly in love with her. Even though he’s unlikely to admit this to her, she sort of knows, and as a result he’s not someone she is going to be able to let herself go with.

But all this does is provide her with more angst. What she really needs to make her a teenage girl rather than a miserable caricature of one, is someone she can confide in, giggle with, and occasionally fall out with and feel like it’s the end of everything. A BBFL, in fact. And because she’s straight, I reckon it needs to be a female one.

For you see, to me it feels a bit like Jennifer’s self control re not drinking humans is related to not allowing herself to give in to any other hormonal type urges, like going out with Martin who she really likes. Her internal logic dictates that if she gets into a relationship with him she will relax too much, allow her instincts to take over, and possibly bite him.

Either that or someone else will have a go in order to get to her. Vampires are mean that way.

This type of pressure would get to a person, and it would have to manifest itself in some way. A lot of teenagers in a similarly high pressure situation, with a grim secret they can’t tell anyone, would act out (get in with the wrong crowd, do drugs or drink or petty acts of crime) as a cry for attention.

There isn’t a lot of point in Jennifer doing that, as nobody can help her. She has no family, and she can hardly go to a school counsellor or social worker and be like “yeah, I’m a vampire and stuff…” She takes the tack of attempting to remain invisible, and bottling everything up inside. Which is probably just as dangerous as making a fuss, because at some stage all those pent up feelings are going to overflow.

However, if she has a bezzie – a pal who understands that she is different, perhaps guesses at the reason why – then she can let some of it out in increments, and perhaps keep herself from going in to meltdown. Her sanity will be needed for any showdowns that may be forthcoming later on.

If the friend is a girl, maybe a goth who doesn’t have many other mates herself, maybe even one who has some sort of paranormal/supernatural secret not as yet defined (werewolf from space?!), it seems plausible that Jennifer would feel able to relate to her (after an initial period of worrying and over thinking it, naturally).

She can’t be allowed to have a completely straightforward relationship, though. So to complicate matters slightly, I’ve decided to make this girl Matthias’ twin sister. Her name should start ‘Ma’ because owners of twins can be like that, so I’m thinking either Mareike or Mathilde… (They are German, by the by.  It has just occurred to me that this is the first time I’ve actually mentioned character names on the blog so this might not be immediately apparent.  Oops.)

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